May 21, 2019

“Already in Kimmo Hakola's piece, …[Luke] plays with ease the glissandi and other repetitive arpeggios in one stroke as if he were doing his scales…In the Tchaikovsky too, he happens to soar above the National Orchestra, releasing a Dantesque energy which, three rows from the stage, literally hits us.”

-Xavier Flament

Read the rest here: (Link to L’echo)